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Free for Commercial Use

Sans Other Rekoh 6 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Bradford' by ActiveSphere, 'Expanse Nuvo' by Designova, and 'MC Cranax' by Maulana Creative (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, industrial, techno, poster, retro, impact, compactness, modularity, mechanical tone, condensed, blocky, geometric, angular, square counters.


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A condensed, all-caps-forward sans with heavy, uniform strokes and sharply squared geometry. Curves are largely suppressed in favor of rectangular bowls and counters, producing a rigid, modular silhouette with frequent right angles and flat terminals. Letterforms feel constructed from vertical stems and notched cross-strokes, with tight internal apertures and a strong vertical rhythm. The lowercase largely mirrors the uppercase construction, maintaining the same narrow, engineered proportions and compact spacing behavior in text.

Best suited to headlines, posters, titles, and branding where a compact footprint and strong vertical punch are desirable. It can work well for signage, packaging, and graphic labels that benefit from a hard-edged, technical look. In longer passages it will read as a high-impact texture, so it’s most effective in short bursts and at display sizes.

The overall tone is mechanical and assertive, evoking signage, machinery labels, and digital-era display typography. Its block-built forms suggest a retro-futurist and industrial mood, with a stern, utilitarian confidence rather than warmth or softness.

The design appears intended as a distinctive condensed display sans that emphasizes modular construction and maximum impact. By minimizing curvature and standardizing stroke weight, it aims for a bold, engineered voice that stays consistent across capitals, lowercase, and numerals.

Distinctive notches, stepped joins, and squared counters create a stencil-like, fabricated feel without fully breaking strokes. Numerals and punctuation follow the same rectilinear logic, keeping the texture consistent across mixed text. The dense black presence and condensed width make line color strong and attention-grabbing, especially at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸