Outline Miho 15 is a very light, wide, low contrast, upright, tall x-height font.
Keywords: headlines, logotypes, posters, ui labels, gaming, futuristic, technical, geometric, sci‑fi, clean, display impact, tech styling, geometric construction, systematic consistency, monoline, rounded corners, chamfered, octagonal, inline.
A monoline outline design built from a consistent double-contour stroke, creating an “inline” track that follows the glyph skeleton. Forms are largely geometric with squared proportions softened by rounded joins and frequent chamfered/angled corners, giving many counters an octagonal feel. Curves are restrained and mechanically regular, with crisp terminals and even spacing; diagonals (e.g., K, V, W, X, Y) stay straight and taut, while bowls and rounds (O, Q, 0) read as faceted rather than fully circular. The lowercase is simple and constructed, with single-storey shapes and minimal modulation, and the numerals match the same angular rounding and open, outlined construction.
Works best as a display face for headlines, branding marks, titles, and packaging where the outlined construction can be appreciated. It also suits sci‑fi or technical UI labels, motion graphics, and game menus, especially at medium-to-large sizes where the double-contour detail stays clear.
The overall tone is modern and engineered, suggesting interface lettering, instrumentation, and retro-futurist display systems. Its hollow track-like strokes feel light, precise, and slightly game/tech oriented, with a calm, controlled rhythm rather than expressive calligraphic energy.
The design appears intended to deliver a sleek, system-like aesthetic by combining a monoline outline with faceted geometry and softened corners. It prioritizes consistent construction and a futuristic display voice over traditional text comfort, aiming for strong visual identity and a technical feel.
Because the design relies on outline contours, interior spaces and overlaps become part of the texture; at smaller sizes the dual lines may visually merge, while at larger sizes the geometric detailing and corner treatments become a distinctive feature. Round letters are notably squared-off, which helps maintain a cohesive, modular look across the set.