Sans Superellipse Adbeh 9 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, tech packaging, wayfinding, headlines, futuristic, techy, clean, modular, friendly, digital clarity, modern branding, system design, geometric tone, rounded corners, soft terminals, geometric, superelliptic, open counters.
This typeface is built from rounded-rectangle and superellipse forms with a consistent, even stroke and smoothly radiused corners throughout. Curves resolve into straight segments with a squared-off, engineered feel, creating a modular rhythm across the alphabet. Counters are generally open and simplified, with compact joins and minimal contrast that keep forms crisp at display sizes. Figures and uppercase share the same rounded geometry, producing a cohesive, system-like texture in lines of text.
It works especially well for interface typography, product and technology branding, and short-to-medium headlines where its rounded-square construction reads clearly and characterfully. The geometric consistency also suits signage and wayfinding systems that benefit from a controlled, repeatable shape language. For longer text, it will be most effective at comfortable sizes where the rounded joins and squared counters remain distinct.
The overall tone reads modern and tech-forward, with a sleek, UI-minded precision softened by generous rounding. It feels contemporary and slightly futuristic without becoming aggressive, balancing engineered structure with an approachable smoothness.
The design appears intended to translate the logic of rounded industrial forms into a practical sans for contemporary digital and product contexts. Its emphasis on repeatable radii, simplified apertures, and consistent stroke behavior suggests a goal of creating a cohesive, modern voice that remains legible while projecting a designed, systematized personality.
Distinctive details include squared bowls and rounded interior corners, plus simplified diagonals that maintain the same soft-edged logic as the verticals and horizontals. The design’s consistent corner radius and monoline construction create a uniform cadence that emphasizes geometry over calligraphic nuance.