Sans Superellipse Vobu 13 is a light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, tech branding, posters, ui display, futuristic, tech, clean, modular, sleek, futurism, system design, modernization, tech identity, geometric consistency, rounded, geometric, extended, superelliptic, streamlined.
A geometric sans built from rounded-rectangle and superellipse-like outlines, with consistently even stroke thickness and soft, squared-off corners throughout. The very wide proportions and roomy counters create a low, horizontal rhythm, while terminals remain clean and unbracketed. Curves are engineered rather than calligraphic, and many joins favor smooth, radiused transitions that reinforce a continuous, modular shape language. Numerals and capitals share the same rounded-rect geometry, producing a cohesive, systematized texture across lines of text.
This design is best suited to display contexts where its wide geometry and rounded-rect construction can be appreciated—such as headlines, logotypes, product branding, posters, and interface titles. It also works well for short blocks of copy in tech or automotive contexts, where a clean, engineered voice is desired without appearing sharp or aggressive.
The overall tone feels futuristic and technical, with a calm, controlled precision that reads as digital and engineered. Its wide stance and rounded corners add approachability while still projecting a sleek, sci‑fi sensibility.
The font appears intended to deliver a modern, technology-forward identity by reducing letterforms to consistent superelliptic building blocks. The emphasis on wide proportions, smooth radii, and uniform stroke behavior suggests a deliberate effort to create a futuristic sans that remains friendly and legible in display settings.
Distinctive superelliptic bowls and rounded-rect counters give it a UI/industrial flavor, and the extended width makes lines feel open and airy even at larger sizes. The consistent geometry lends itself to tight, repeatable patterns in headings and branding, where the font’s modularity becomes a feature.