Script Asrif 14 is a bold, very narrow, high contrast, italic, short x-height font.
Keywords: branding, packaging, posters, headlines, invitations, playful, lively, friendly, retro, expressive, expressive display, handmade feel, signature style, festive tone, brand emphasis, brushy, swashy, bouncy, organic, calligraphic.
A slanted, brush-script style with teardrop terminals and pronounced thick-to-thin modulation that mimics pressure from a pointed or flexible tool. Strokes are smooth and rounded, with frequent entry/exit flicks and occasional looped ascenders/descenders, giving the alphabet a continuous, handwritten rhythm even when letters are not fully connected. Counters are relatively tight and the overall silhouette is compact, while capitals introduce larger gesture and more flourish for emphasis. Numerals follow the same cursive logic, using curved forms and tapered terminals to stay consistent with the letterforms.
Best suited to branding accents, packaging, posters, and headline settings where its brushy movement and distinctive capitals can lead the composition. It also fits invitations, greeting cards, and social graphics, particularly for short phrases, names, and punchy taglines that benefit from an energetic handwritten voice.
The font reads as upbeat and personable, balancing a polished, calligraphy-inspired feel with the spontaneity of a marker or brush. Its bouncy slant and soft terminals create a welcoming tone that can feel celebratory and slightly nostalgic.
The design appears intended to deliver a confident, modern brush-script look with clear contrast and a consistent forward slant, offering a ready-made expressive signature style for display typography. It aims to feel handcrafted yet controlled, with decorative capitals that add personality without overwhelming the overall rhythm.
Uppercase forms carry much of the display character, with broader strokes and more prominent swashes, while lowercase maintains a steady, flowing cadence suited to short words. The heavier downstrokes and narrow internal spaces can make very small sizes feel dense, especially in long lines of text.