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Sans Superellipse Fymes 12 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Gltp Starion' by Glowtype, 'Kaisar' by Hazztype, 'Bantat' by Jipatype, and 'RBNo3.1' by René Bieder (names referenced only for comparison).

Keywords: sports branding, team apparel, headlines, posters, packaging, sporty, energetic, modern, assertive, techy, impact, speed, branding, modernity, clarity, rounded, oblique, blocky, compact, smooth.


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A heavy, oblique sans with broad proportions and rounded-rectangle construction throughout. Curves are built from smooth superellipse-like corners, giving counters and bowls a soft, engineered feel rather than a geometric circle. Strokes stay fairly even, terminals are clean and blunt, and joins are sturdy, producing a compact, high-impact texture in text. The overall rhythm is forward-leaning and fast, with generous widths and simplified interior shapes that favor solidity over delicate detail.

This font works best where strong presence and quick recognition matter: sports and esports branding, team uniforms, event posters, product packaging, and bold advertising headlines. It can also serve UI or product marks that want a streamlined, aerodynamic feel, especially at medium-to-large sizes where the rounded geometry and slant read crisply.

The tone is confident and kinetic, suggesting speed, power, and contemporary performance styling. Its rounded corners keep the voice friendly and approachable while the mass and slant add urgency and attitude. The result feels well-suited to competitive, tech-forward, or action-oriented messaging rather than quiet or literary settings.

The design appears intended to deliver a high-impact, speed-driven aesthetic using rounded-rectangular geometry and a consistent, sturdy stroke structure. Its oblique stance and simplified shapes suggest an emphasis on modern branding and display communication where momentum and strength are key.

The figures and uppercase forms read as robust and sign-like, with ample weight in diagonals and diagonally-cut behaviors that reinforce motion. The lowercase maintains a utilitarian, streamlined look, prioritizing bold silhouette recognition over nuanced calligraphic modulation. Spacing appears designed to keep words cohesive and punchy in display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸