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Free for Commercial Use

Wacky Boka 5 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Bentley Floyd' by Differentialtype (names referenced only for comparison).

Keywords: posters, game titles, album covers, branding, packaging, quirky, arcane, spiky, playful, enigmatic, display impact, thematic mood, distinctive identity, ornamental texture, angular, notched, high-contrast terminals, squared, ornamental.


Free for commercial use
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A sharply angular, display-oriented face built from mostly even stroke weights and squared interior counters, punctuated by small notches and pointed, horn-like terminals. The glyphs favor straight segments and hard corners over curves, giving letters a carved, chiseled feel. Capitals are blocky and architectural, while lowercase forms echo the same geometry with simplified bowls and tight apertures; punctuation and numerals follow the same cut-corner logic for a cohesive texture. Spacing reads fairly open for a decorative design, but the distinctive terminals create a lively, slightly jagged rhythm across words.

Best suited for short, attention-grabbing text such as posters, game or fantasy titles, event headers, album/track artwork, and distinctive brand marks. It can also work for themed packaging or merch where a stylized, ornamental voice is desired, but it is less appropriate for extended reading at small sizes.

The overall tone feels eccentric and theatrical, suggesting a stylized, pseudo-historic or fantasy atmosphere without adhering to a traditional blackletter model. Its spurs and notches add a mischievous, puzzle-like personality that can read as mysterious, game-like, or lightly menacing depending on setting and content.

The design appears intended to provide an instantly recognizable, decorative texture through chiseled geometry and dramatic terminals, prioritizing character and mood over neutrality. Its consistent cut-corner construction suggests a deliberate system built to look hand-carved or forged while remaining clean and typographic.

Several letters incorporate deliberate asymmetries and uncommon joins (notably in diagonals and crossbars), reinforcing a one-off, crafted impression. The design remains consistent across the set, but the aggressive terminals and tight inner shapes make it best suited to larger sizes where the detailing can remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸