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Free for Commercial Use

Sans Normal Bobud 31 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Gilam' by Fontfabric, 'NuOrder' by The Northern Block, 'Nuno' by Type.p, and 'Olivine' by URW Type Foundry (names referenced only for comparison).

Keywords: ui text, product design, signage, presentations, editorial, clean, modern, neutral, approachable, functional, clarity, versatility, modernity, neutrality, legibility, geometric, rounded, open apertures, uniform strokes, crisp terminals.


Free for commercial use
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A clean sans with largely geometric construction and gently rounded curves. Strokes are even and steady, with smooth bowls and open apertures that keep counters clear in both uppercase and lowercase. Terminals are crisp and mostly straight, producing a tidy rhythm, while the overall proportions feel balanced without extreme narrowness or width. Numerals follow the same straightforward, contemporary drawing style with clear, uncomplicated shapes.

This font works well for interface text, product and web design, and general-purpose editorial typography where a clean, even texture is important. It also suits headings and short blocks of copy in presentations and brand systems that need a contemporary, unobtrusive sans. The straightforward numerals make it a solid option for labels, navigation, and data-adjacent text.

The tone is neutral and modern, prioritizing clarity over personality. Its rounded geometry reads friendly and accessible, while the restrained detailing keeps it professional and understated. Overall it feels pragmatic and contemporary, suitable for information-forward settings.

The design appears intended as a versatile, contemporary sans that emphasizes legibility and consistent texture. Its geometric underpinnings and restrained detailing suggest a focus on broad usability across print and screen contexts while maintaining a friendly, modern feel.

The sample text shows consistent spacing and an even texture across lines, with clear differentiation between similar forms (for example, the uppercase and lowercase sets and the numeral designs). Curves remain smooth at larger sizes, and the simplified shapes keep the silhouette stable across a range of letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸