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Free for Commercial Use

Solid Otmo 8 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Finest Vintage' by Din Studio and 'Hostage Script' by Letterfreshstudio (names referenced only for comparison).

Keywords: posters, headlines, stickers, merch, album art, playful, chunky, quirky, cartoonish, hand-cut, attention-grab, handmade feel, comic tone, graphic impact, blobby, lumpy, ragged, soft-cornered, silhouette.


Free for commercial use
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This typeface is built from dense, ink-like silhouettes with nearly all counters closed, producing solid letterforms that read as bold blobs rather than conventional outlines. Shapes are compact and vertically biased, with irregular, hand-cut edges and frequent angular nicks mixed with rounded bulges, creating a restless contour rhythm. Stroke logic is intentionally ambiguous: terminals vary, joins feel sculpted rather than drawn, and widths fluctuate from glyph to glyph, giving the alphabet an uneven, organic texture. In text, the letters pack together into heavy black bands with minimal internal separation, emphasizing mass and overall word shape over internal detail.

Best suited for display settings such as posters, splashy headlines, packaging accents, stickers, and merchandise graphics where bold, graphic silhouettes are desirable. It can add personality to album art, event promos, and playful branding marks, especially when used in short bursts or paired with a more legible companion text face.

The font projects a mischievous, DIY energy—somewhere between cut-paper collage and cartoon inking. Its solid, lumpy silhouettes feel loud and attention-seeking, with a humorous awkwardness that reads as intentionally imperfect and handcrafted.

The design appears intended to prioritize expressive silhouette and novelty texture over traditional readability, using filled-in forms and irregular contours to create an immediate, high-impact black shape. It aims to evoke a handmade, slightly chaotic feel that stands out in visual identities and attention-grabbing display typography.

Because interior openings are largely collapsed, character differentiation relies on outer silhouettes and distinctive notches; this makes it most effective at larger sizes where the quirky contours can be perceived. Spacing appears tight and the overall color on the page is extremely dark, so short words and headings communicate more clearly than long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸