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Free for Commercial Use

Stencil Fira 5 is a bold, wide, low contrast, upright, tall x-height font.

Keywords: posters, headlines, logos, packaging, signage, industrial, tactical, retro, mechanical, assertive, strong impact, stencil system, industrial marking, brand voice, geometric, blocky, notched, angular, high-impact.


Free for commercial use
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A heavy, geometric sans with pronounced stencil interruptions that carve out sharp notches and bridges through bowls and stems. Letterforms are built from broad, even strokes with minimal modulation, producing a crisp, high-contrast silhouette against the page despite the low internal stroke contrast. The shapes lean on squared counters, blunt terminals, and occasional chamfered corners, with generous widths and a tall lowercase that keeps lines visually full. Numerals and capitals echo the same segmented construction, maintaining consistent bridge logic across curved forms like C, G, O, Q, and S.

Best suited to display applications where the stencil detailing can be appreciated—posters, bold headlines, branding marks, packaging callouts, and signage-inspired graphics. It can work for short blocks of copy in large sizes, but the frequent breaks and dense color make it most effective as an attention-grabbing accent rather than for extended reading.

The overall tone feels industrial and utilitarian, with a controlled, engineered attitude. The stencil breaks add a tactical, sign-painting/marking flavor that reads as rugged and functional rather than decorative. It also carries a retro-futurist edge due to its strict geometry and repeated cutout rhythm.

The design appears intended to deliver maximum impact with a consistent stencil system, combining bold geometric construction with deliberate cutouts for a marked, industrial identity. Its wide, tall forms prioritize strong presence and immediate recognition in graphic contexts.

The stencil gaps are large and clearly intentional, creating strong internal rhythm and distinctive word shapes at display sizes. Curved letters are noticeably sectioned into bands, while straighter glyphs emphasize slab-like verticals and horizontals, giving the type a machined, modular feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸