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Free for Commercial Use

Sans Normal Uhnow 7 is a bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Miss Mable' by Cory Maylett Design, 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'ITC Franklin' by ITC, 'Latino Gothic' by Latinotype, and 'Indecise' by Tipo Pèpel (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, authoritative, modern, condensed, editorial, space-saving impact, strong hierarchy, modern utility, bold branding, compact, sturdy, high-impact, brisk, crisp.


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This typeface presents compact, vertically oriented letterforms with a strong, even color and clean, serifless construction. Curves are smooth but not overly geometric, pairing rounded bowls with firm, straight-sided strokes and tight apertures in several letters. Terminals are mostly flat and decisive, with occasional subtle softening that keeps the texture from feeling mechanical. Spacing and counters are economical, producing a dense rhythm that holds together well at larger sizes and in bold settings, while the numerals follow the same condensed, weighty logic for a cohesive set.

Well suited to headlines, subheads, and display typography where strong emphasis and tight horizontal footprint are desirable. It works effectively for posters, signage, and packaging that need bold, space-efficient messaging, and can also support branding systems looking for a condensed, modern wordmark style.

The overall tone is confident and workmanlike, with a contemporary, no-nonsense voice. Its compact width and strong presence give it an assertive, poster-ready feel that can read as urban or industrial depending on context. Despite the heft, the rounded elements keep it from feeling harsh, maintaining a controlled modernity rather than a purely utilitarian look.

The design appears intended to deliver high-impact readability in limited space, combining condensed proportions with sturdy, clean letterforms. It aims to provide a modern, assertive voice that remains broadly versatile across contemporary display applications.

The condensed proportions create a tall, stacked silhouette in words, and the consistent stroke weight produces a steady typographic “block” suitable for strong hierarchy. The shapes favor closed, compact counters and straightforward joins, which emphasizes density and impact over airiness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸