Sans Superellipse Ormoj 4 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Neue Helvetica', 'Neue Helvetica Paneuropean', and 'Shilia' by Linotype; 'Hafez', 'Iranica', and 'Nima' by Naghi Naghachian; 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, confident, industrial, utilitarian, modern, assertive, impact, space saving, clarity, modernity, condensed feel, tight apertures, compact counters, flat terminals, rounded corners.
A heavy, compact sans with squared-off, superellipse-like curves and subtly rounded corners. Strokes are strongly weighted with mostly uniform thickness, producing dense counters and tight apertures, especially in letters like C, S, and e. Terminals are generally flat and blunt, and the overall geometry favors vertical solidity and blocky proportions, giving the alphabet a sturdy, engineered rhythm. Numerals and capitals align with the same robust construction, with rounded-rectangle bowls and crisp joins that keep forms highly consistent.
Well suited for headlines, posters, and short-form messaging where strong impact and compact word shapes are desirable. It can also work for packaging, labels, and signage that benefits from a sturdy, industrial look. For extended text, it will perform best at larger sizes or with generous spacing to offset the dense color.
The tone is direct and no-nonsense, with a confident, industrial voice. Its compact shapes and firm terminals suggest practicality and emphasis, leaning toward a contemporary, utility-driven aesthetic rather than friendly or delicate expression.
Likely designed to deliver a bold, space-efficient voice built on rounded-rectangular geometry, prioritizing strong presence, consistency, and a contemporary industrial feel over delicate detail.
The design reads best when allowed some breathing room: its heavy color and compact internal spaces can make long lines feel dense at smaller sizes. The lowercase shows simple, workmanlike construction (single-storey a and g), reinforcing the functional, modern character.