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Free for Commercial Use

Sans Normal Armug 11 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Frutiger Arabic', 'Neue Frutiger Devanagari', 'Neue Frutiger Georgian', 'Neue Frutiger Hebrew', 'Neue Frutiger Tamil', 'Neue Frutiger Thai', 'Neue Frutiger Variable', and 'Neue Frutiger Vietnamese' by Linotype and 'Neue Frutiger World' by Monotype (names referenced only for comparison).

Keywords: ui text, editorial, wayfinding, branding, presentations, neutral, modern, clean, friendly, utilitarian, clarity, versatility, modernity, readability, neutrality, geometric, monoline, open apertures, high legibility, unbracketed terminals.


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A clean, monoline sans with predominantly geometric construction and smooth, rounded curves. Stroke endings are crisp and unbracketed, with minimal modulation and consistent rhythm across uppercase and lowercase. Counters are open and circular in letters like O and o, while diagonals (V, W, X, Y) are straight and assertive without feeling sharp. The lowercase shows simple, contemporary forms with compact bowls and straightforward joins, and the numerals follow the same restrained, even-stroke logic for a cohesive texture in text.

This typeface suits interfaces, product copy, and general-purpose editorial settings where even color and quick recognition matter. It also works well for signage and informational materials, and can support contemporary branding that needs a restrained, dependable sans rather than a display-forward personality.

The overall tone is neutral and contemporary, prioritizing clarity and a calm, matter-of-fact voice. Its smooth geometry and even color read as approachable rather than technical, making it feel modern without calling attention to itself.

The design appears aimed at a versatile everyday sans that balances geometric clarity with comfortable readability. Its consistent strokes, open counters, and straightforward terminals suggest an intention to perform reliably across a wide range of sizes and contexts without stylistic distraction.

In the sample text, the spacing and proportions produce an even typographic color, and round letters stay stable without appearing overly wide. Punctuation and symbols (like the ampersand and apostrophe) match the same clean, uncomplicated drawing style, supporting consistent reading flow.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸