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Free for Commercial Use

Sans Superellipse Emdan 9 is a regular weight, wide, low contrast, italic, tall x-height font visually similar to 'Manual' by TypeUnion (names referenced only for comparison).

Keywords: ui, branding, headlines, signage, data display, modern, technical, clean, dynamic, neutral, contemporary clarity, friendly geometry, interface readiness, efficient reading, monoline, open apertures, rounded corners, soft geometry, oblique rhythm.


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A geometric, monoline sans with an oblique slant and rounded, superellipse-like curves. Strokes stay even throughout, with smooth joins and softened terminals that avoid sharp corners. Counters are generous and open, especially in rounded letters, and the overall set reads airy with broad proportions and clear spacing. The lowercase shows a tall x-height and simple, single-storey forms (notably a and g), while the numerals are similarly streamlined and consistent in stroke behavior.

Works well for UI labels, product branding, and contemporary headlines where a clean, forward-leaning sans is desired. The open apertures and even stroke weight support small-to-medium text in dashboards or data-heavy layouts, while the wide stance and rounded geometry give it presence in signage and short display lines.

The overall tone is contemporary and efficient, with a subtle forward-leaning energy from the slant. Rounded geometry keeps it approachable, while the disciplined construction and even strokes maintain a sober, tech-adjacent neutrality. It feels suited to interfaces and information design where clarity and a modern voice are priorities.

The design appears intended to blend geometric clarity with softened, superellipse-style rounding, delivering a modern sans that feels both technical and friendly. Its consistent slant and controlled, monoline construction suggest a focus on legibility and rhythm in real-world settings like interfaces and corporate communications.

Curves tend toward rounded-rectangle shapes rather than perfect circles, giving bowls and ovals a slightly squared-off softness. The italic angle is steady across uppercase, lowercase, and figures, creating a cohesive, flowing texture in paragraphs. Diacritics and extended punctuation aren’t shown, but the base set demonstrates consistent width relationships and a tidy, controlled rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸