Print Usrod 3 is a regular weight, narrow, medium contrast, upright, normal x-height font.
Keywords: kids branding, packaging, posters, social graphics, headlines, playful, casual, friendly, hand-drawn, quirky, human warmth, informal tone, handmade feel, approachability, display impact, rounded, bouncy, irregular, textured, soft terminals.
A hand-drawn, marker-like print with rounded forms and slightly uneven stroke edges that create a natural, organic texture. Strokes show subtle pressure variation and tapered joins, with generally soft terminals rather than sharp cuts. Proportions feel compact and lively, with gently irregular widths and a bouncy baseline rhythm that keeps repeated shapes from looking mechanical. Counters are mostly open and rounded, and the overall letterfit is loose enough to preserve the handwritten character while staying readable in short text.
Works best for friendly display use such as children’s or family-oriented branding, snack and craft packaging, event posters, and casual social media graphics. It can also suit short phrases in greeting cards, stickers, and labels where a hand-made tone is desired. For longer passages, it is most effective when used sparingly as an accent or for brief, readable blocks.
The tone is warm and approachable, with a playful, slightly mischievous energy typical of casual handwriting. Its irregularities read as personal and human, giving copy an informal, conversational feel. The bold, inky presence adds confidence without turning rigid or formal.
The design appears intended to capture the immediacy of quick hand lettering—simple, rounded shapes with natural variation—while remaining legible and consistent enough for repeated use in branding and display settings.
Uppercase and lowercase share the same hand-drawn logic, with simplified construction and occasional exaggerated curves that increase charm. Numerals are similarly rounded and informal, making them feel cohesive with the letters. The texture and wobble become more noticeable as sizes increase, where the brush/marker character reads as a deliberate stylistic feature.