Sans Superellipse Hinih 24 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'PT Sans Pro' by ParaType and 'MaryTodd' by TipoType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, assertive, industrial, sporty, compact, punchy, space saving, high impact, modern utility, brand emphasis, condensed, blocky, rounded, sturdy, utilitarian.
A compact, heavy sans with squared-off, rounded-rectangle construction and broadly curved corners that keep the forms soft while maintaining a rigid, block-like presence. Strokes stay essentially monolinear, with wide verticals and tight internal counters that emphasize density. Curves (C, O, S) read as superelliptical rather than purely geometric circles, and joins are clean and sturdy. Terminals are mostly flat, proportions are condensed, and overall spacing feels tight, producing a tall, stacked rhythm in both caps and lowercase.
Best suited to short, high-impact text such as headlines, posters, titles, brand marks, packaging callouts, and wayfinding or label-style signage where density and strength are advantages. It can work for brief subheads or UI labels when space is constrained, but the tight counters and heavy texture suggest avoiding long passages at small sizes.
The tone is strong and no-nonsense, with a modern, industrial confidence. Its compactness and dense color give it a shouty, attention-grabbing feel that leans toward sports, utility labeling, and bold editorial impact rather than quiet reading.
The design appears intended to deliver maximum visual weight in limited horizontal space, using rounded-rectangle geometry to balance toughness with approachability. It prioritizes bold clarity and compact rhythm for display settings where legibility and punch are needed at a glance.
Lowercase includes a double-storey a and a single-storey g, and the numerals are robust with simplified, compact shapes (notably a plain, straight 1 and rounded 0). The heavy weight and narrow set make punctuation and diacritics visually prominent, and the overall texture stays consistent even in long lines of text.