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Free for Commercial Use

Sans Superellipse Osmof 2 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Chamelton' by Alex Khoroshok, 'Monospace 821' and 'Monospace 821 WGL' by Bitstream, 'Mono Spec' by Halbfett, and 'Arbeit Technik' by Studio Few (names referenced only for comparison).

Keywords: labels, packaging, posters, headlines, signage, industrial, utilitarian, technical, retro, authoritative, impact, uniformity, code-friendly, compactness, ruggedness, blocky, square-rounded, sturdy, compact, high-impact.


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A heavy, monoline sans with squared proportions and generously rounded corners that push many curves toward a rounded-rectangle/superellipse feel. Counters are relatively tight and apertures tend to be small, producing a compact, dense color on the line. Stroke endings are blunt and consistent, and round letters like C, G, O, and Q read as squarish ovals with softened corners rather than true circles. Uppercase forms are broad and steady, while the lowercase keeps simple, sturdy constructions with short extenders and minimal modulation, reinforcing an even, block-like rhythm.

Best suited to applications where strong presence and quick recognition matter: labels, packaging panels, product/part identifiers, posters, and punchy headlines. It also fits technical or interface contexts where a rigid grid and consistent character widths help align data and codes.

The overall tone is utilitarian and mechanical, with a strong, no-nonsense presence reminiscent of labeling, equipment markings, and classic computer-era typography. Its rounded corners soften the austerity just enough to feel approachable, but it still reads decisive and industrial rather than friendly or elegant.

The design appears aimed at creating a robust, highly uniform sans with rounded-rectangle anatomy that stays legible and impactful under tight spacing and high contrast reproduction. The consistent geometry and compact fit suggest an emphasis on structured layouts, alphanumeric strings, and practical display typography.

The numerals match the same squarish, rounded geometry and maintain a consistent weight and footprint, helping mixed alphanumeric strings look cohesive. In text, the dense spacing and compact counters create a solid, high-ink texture that favors short bursts of copy over long-form reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸