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Free for Commercial Use

Sans Superellipse Fedil 12 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Newhouse DT' by DTP Types, 'Bebas Neue Pro' by Dharma Type, 'Neusa Neu' by Inhouse Type, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Aago' by Positype, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, punchy, confident, modern, urgent, impact, motion, compactness, modernity, clarity, slanted, compact, rounded, blocky, high impact.


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This typeface is a heavy, forward-slanted sans with compact proportions and tightly enclosed counters. Curves and bowls read as rounded-rectangle forms rather than perfect circles, giving characters a chunky, engineered feel. Strokes stay largely uniform, terminals are clean and blunt, and the overall rhythm is dense with minimal internal whitespace, especially in letters like B, R, S, and 8. Lowercase forms are simple and sturdy, with a single-storey a and g and short, utilitarian joins that keep word shapes compact and emphatic.

Best suited to headlines, short statements, and branding where a compact, high-impact voice is needed. It can work well for sports, fitness, and product packaging systems that benefit from a fast, forceful italic presence, especially at medium to large sizes.

The overall tone is energetic and assertive, with a speed-and-performance attitude driven by the consistent slant and compact weight distribution. It feels contemporary and utilitarian rather than delicate or bookish, leaning toward display-forward messaging where impact matters most.

The design appears intended to deliver maximum impact in a condensed footprint while maintaining smooth, rounded geometry and a clear sense of motion. Its simplified, sturdy shapes prioritize immediacy and strong silhouette over airy readability in extended text.

Numerals appear robust and tightly fit, matching the dense texture of the letters; rounded corners and squared-off curves keep figures like 0, 3, 8, and 9 cohesive with the rest of the set. The slant is strong enough to suggest motion, and the bold massing can darken quickly in long lines, as seen in the sample text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸