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Free for Commercial Use

Sans Normal Ohduy 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'ATC Arquette' by Avondale Type Co., 'Bilya Layered' by Cerri Antonio, 'Luxora Grotesk' by Designova, 'FF Infra' by FontFont, 'Soin Sans Pro' by Stawix, 'Causten' by Trustha, and 'TT Commons Classic' and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, social media, friendly, confident, sporty, approachable, modern, impact, approachability, clarity, modernity, rounded, compact, sturdy, high-contrast counters, soft corners.


Free for commercial use
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This typeface uses heavy, monoline strokes with rounded terminals and generously curved joins, producing smooth, compact letterforms. Shapes lean toward geometric construction—circular bowls, even arcs, and consistent stroke weight—while maintaining slightly condensed, space-efficient proportions. Counters are relatively small but cleanly opened, and the punctuation and numerals follow the same bold, rounded logic, creating a cohesive, high-impact texture in text.

Best suited for headlines, bold branding, and short-form messaging where a strong, rounded sans voice is desirable. It works well on posters, packaging, and social graphics that need immediate impact and a friendly tone, and can also serve for prominent UI labels or signage when set with ample spacing.

The overall tone is friendly and confident, with a buoyant, contemporary feel. Its rounded geometry softens the weight, giving it an approachable, upbeat character that reads as energetic rather than severe.

The design appears intended to deliver maximum visual impact with a warm, contemporary personality. Its consistent stroke weight and rounded, geometric forms suggest a focus on legibility at display sizes and a broadly appealing, modern sans aesthetic.

In paragraphs, the dense color and tight interior spaces create strong emphasis and a poster-like presence. The curves and rounded corners help preserve clarity at larger sizes, while the overall massing favors attention-grabbing display use over delicate typographic nuance.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
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8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸