Sans Faceted Tyji 3 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Canby JNL' by Jeff Levine (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, game ui, industrial, retro, techno, sporty, arcade, high impact, geometric styling, machined look, display clarity, angular, beveled, chamfered, blocky, octagonal.
A compact, heavy display face built from straight strokes and clipped corners that replace curves with crisp facets. Counters and bowls tend toward squarish, octagonal forms, and terminals are consistently chamfered, giving the whole alphabet a machined, sign-painted feel. Spacing is fairly tight and the rhythm is dense, with simplified joins and sturdy verticals that keep shapes legible at larger sizes. Numerals follow the same faceted logic, with angular rounds and squared-off interior spaces.
Best suited for headlines, posters, packaging callouts, and logo wordmarks where the angular silhouette can carry the design. It also fits sports/athletics graphics, game titles, and UI labels that benefit from a compact, high-impact, techno-industrial voice. For longer reading, it works most comfortably in short bursts such as signage, badges, and section headers.
The overall tone is bold and mechanical, with a distinctly retro-digital edge. Its sharp geometry and condensed presence suggest utility, strength, and a playful arcade or sci‑fi atmosphere rather than softness or formality.
The design appears intended to translate bold sans lettering into a faceted, planar system—turning curves into chamfers to produce a rugged, engineered aesthetic. Its condensed proportions and simplified geometry prioritize punchy presence and reproducible, graphic shapes for display settings.
The lowercase echoes the uppercase’s geometric construction and reads more like a compact display companion than a text face, maintaining the same clipped-corner silhouette across the set. The faceting is consistent enough to feel systematic, creating a cohesive ‘stenciled-by-geometry’ texture in headlines and short lines.