Sans Normal Akduy 11 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Giriton' by Hazztype and 'Averta Standard PE' by Intelligent Design (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui labels, modern, confident, clean, friendly, direct, impact, clarity, modernity, versatility, approachability, geometric, rounded, high contrast (shape), compact, sturdy.
A heavy, geometric sans with clean, monoline construction and broadly rounded curves. Counters are generous and mostly circular (notably in O/o and 8), while terminals are crisply finished, giving forms a sturdy, engineered feel. Uppercase proportions read balanced and slightly compact, with wide bowls in B/P/R and a near-circular G. Lowercase maintains clear, simple silhouettes; the single-storey a and g keep the design straightforward, and the t has a short crossbar with a tall, straight stem. Numerals are rounded and substantial, with uniform stroke weight and clear internal spaces.
Best suited to headlines, branding, posters, and signage where a bold, geometric voice is needed. It also works well for short UI labels and interface headers thanks to its clean shapes and consistent stroke weight, though its strong presence suggests using it for display and emphasis rather than long-form text.
The overall tone is contemporary and pragmatic, projecting clarity and confidence without feeling cold. Rounded geometry adds an approachable, friendly edge, making the weight feel assertive yet readable. The rhythm is steady and uncluttered, supporting a straightforward, no-nonsense voice.
The design appears intended as a robust, contemporary workhorse for impactful display typography, prioritizing simple geometric structure, clear counters, and consistent rhythm. It aims to deliver a friendly-modern look while maintaining a firm, authoritative presence.
Round forms (C, G, O, Q, e, o) are strongly circular, while diagonals (A, K, V, W, X, Y) remain sharp and stable, creating a pleasing tension between soft curves and crisp angles. Apertures in letters like e and c are open enough to preserve legibility at display sizes, and the dot on i/j is clean and centered, reinforcing the font’s tidy construction.