Sans Normal Akrar 13 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Giriton' by Hazztype, 'Averta PE' by Intelligent Design, 'Core Sans C' by S-Core, and 'Glendale' by Sarid Ezra (names referenced only for comparison).
Keywords: branding, headlines, packaging, posters, ui labels, friendly, modern, approachable, confident, clean, approachability, clarity, modernity, versatility, brand friendliness, rounded, geometric, soft, high-contrast (visual), open counters.
This typeface is a sturdy, rounded sans with smooth, geometric construction and even, monoline strokes. Curves are generously circular, terminals are clean and softly finished, and joins feel controlled rather than mechanical. The proportions read as balanced and contemporary, with wide bowls and open counters that keep forms clear at display and text sizes. Lowercase features a single-storey “a” and “g”, a compact, straight-armed “r”, and a rounded “e” with a simple horizontal bar, reinforcing a friendly geometric rhythm. Numerals are large and weighty with straightforward shapes, matching the letterforms’ solid, uncluttered structure.
This font suits brand identities, marketing headlines, packaging, and signage where a friendly, modern presence is needed. It also works well for UI and product typography—buttons, navigation, and short instructional text—thanks to its sturdy strokes and open interior spaces that maintain clarity. In longer passages it delivers an even, contemporary texture, especially when set with comfortable line spacing.
The overall tone is warm and accessible, with a modern, easygoing personality. Its rounded geometry and confident weight give it a welcoming, consumer-facing feel while still reading as crisp and professional. The voice leans contemporary and upbeat rather than formal or technical.
The design appears intended to deliver a geometric, rounded sans that feels contemporary and approachable while staying highly legible. Its simplified lowercase forms and consistent curves suggest a focus on clarity, versatility, and a welcoming tone for broad, modern communication.
Uppercase forms maintain strong, stable silhouettes with consistent curve logic across C/G/O/Q, and the Q’s tail is short and unobtrusive. Diacritics and punctuation aren’t shown here, but the sample text suggests consistent spacing and a smooth color in continuous reading. The boldness and rounded shapes make it particularly effective for short headlines and prominent UI labels.