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Free for Commercial Use

Distressed Roroy 5 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'Afical' by Formatype Foundry, 'Neue Haas Grotesk Text' by Linotype, 'Arial' by Monotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Arabic' and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, album covers, event flyers, rugged, industrial, grunge, street, vintage print, add texture, evoke wear, signal toughness, create impact, chunky, blotchy, weathered, stenciled, inked.


Free for commercial use
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A heavy, blocky sans with compact, squared proportions and mostly straight-sided strokes. The letterforms read as sturdy and geometric, with simplified terminals and minimal curvature in many capitals, while lowercase keeps a straightforward, workmanlike construction. A consistent distressed treatment appears as irregular interior voids and speckled bite-outs across stems and bowls, creating a worn-ink/rough-print texture without breaking overall legibility. Numerals match the same solid build and texture, maintaining a cohesive rhythm across the set.

Best suited to display applications where the worn texture can be appreciated—posters, big headers, apparel graphics, and bold packaging callouts. It can also work for short brand marks or labels that want a stamped/aged feel, while extended small text may lose clarity as the distressing fills in.

The texture and weight give the face a tough, utilitarian tone—like stamped signage or ink that’s been scuffed and reprinted. It feels gritty and energetic, leaning toward urban and industrial cues with a retro screen-print edge.

The design appears intended to combine a straightforward, sturdy sans foundation with a deliberately aged surface treatment, evoking imperfect printing and hard-use wear. It prioritizes impact and attitude while preserving recognizable, readable shapes.

The distressing is primarily internal (pitting and blotches) rather than jagged outer contours, so silhouettes stay strong at display sizes. The overall color is very dark, and the texture becomes a key visual feature that will show best when there’s enough size and contrast for the speckling to read clearly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸