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Serif Other Erby 4 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Blacker Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, editorial, posters, branding, packaging, dramatic, modern classic, fashion, theatrical, display impact, sculpted detail, editorial tone, brand distinction, incised, cut-in, wedge serif, high impact, sculptural.


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A heavy, display-oriented serif with sculpted, incised-looking forms and distinctive internal cut-ins that create sharp, crescent-like apertures. Serifs are wedge-like and crisp, with a chiseled feel rather than rounded bracketing, and many strokes terminate in pointed, knife-edged joins. Counters tend to be partially “bitten” or segmented (notably in rounds like C/O/Q and in bowls like B/P/R), producing strong black–white interplay and a rhythmic, carved texture in text. Proportions lean broad, with sturdy verticals and compact internal spaces that emphasize silhouette and contrast between mass and void; figures follow the same cut-in logic for a unified set.

Best suited to headlines, magazine titles, pull quotes, and poster typography where its sculptural cut-ins remain legible and intentional. It can also serve branding and packaging that benefit from a high-impact, refined-but-decorative serif voice, especially when set large or with generous tracking.

The overall tone is assertive and stylized, combining classic serif authority with a contemporary, decorative edge. Its carved details read as fashion-forward and theatrical, delivering a premium, editorial attitude that feels more like a typographic statement than a neutral text face.

The design appears intended to reinterpret a traditional serif through a carved, incised construction—prioritizing striking silhouettes and decorative negative space over neutrality. The consistent notch-and-wedge language suggests a deliberate focus on distinctive display texture and memorable word shapes.

The repeating motif of triangular notches and split-like counters gives lines of text a patterned cadence, especially at larger sizes. Because the interior apertures can become tight, the strongest effect is achieved when the letterforms have room to breathe and the carving can be seen clearly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸