Sans Superellipse Lilu 11 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Panton' by Fontfabric, 'Charles Wright' by K-Type, 'B52' by Komet & Flicker, 'Mercedes Serial' by SoftMaker, and 'Boxed' and 'Boxed Round' by Tipo Pèpel (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, signage, friendly, retro, playful, chunky, approachable, softened geometry, display impact, brand friendliness, modern signage, rounded corners, soft terminals, squarish curves, even rhythm, high contrast-free.
A heavy, rounded sans with superellipse construction: bowls and counters are built from softened rectangles rather than true circles, giving the letterforms a squarish-yet-soft profile. Strokes stay consistently thick with smooth, fully rounded corners and terminals, producing a compact, sturdy texture in text. Apertures tend to be moderately closed and counters are generous but cushioned, while joins and diagonals (as in V/W/X/Y) keep a stable, blunt energy without sharp points. Numerals follow the same rounded-rect logic, with the 0 and 8 especially showing pill-shaped counters and a clean, uniform stroke presence.
Best suited to headlines, logos, and short bursts of text where the rounded, superelliptical shapes can read clearly and contribute character. It works well for contemporary branding, app or product splash screens, packaging, and wayfinding or signage where a friendly, robust sans is desired.
The overall tone is warm and inviting, with a slightly nostalgic, display-friendly personality. Its soft geometry reads as modern and tech-adjacent, while the chunky forms and rounded rectangles evoke playful signage and packaging graphics.
The font appears designed to deliver a sturdy, contemporary sans voice with a distinctly softened, rounded-rectangle geometry. Its intention seems to balance clarity with personality, offering a bold, approachable texture that stands out in display settings while remaining legible in short text.
The design’s consistency across uppercase, lowercase, and figures creates a strong typographic color, especially at larger sizes. The softened corners and compact inner spaces can feel dense when tightly set, so it benefits from comfortable tracking and line spacing in longer blocks.