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Free for Commercial Use

Inline Beny 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Allrounder Grotesk Condensed' by Identity Letters, 'Glimp' by OneSevenPointFive, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logos, retro, playful, punchy, friendly, poster-ready, standout display, retro flavor, friendly branding, decorative emphasis, rounded, soft corners, monoline feel, inline detail, high impact.


Free for commercial use
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A heavy, rounded sans with softened corners and mostly uniform stroke weight, built from broad shapes that are opened up by a consistent inline cut running through the strokes. Counters are large and simple, and terminals tend toward rounded ends, giving the letterforms a smooth, approachable silhouette. The inline detail reads as a narrow negative channel that follows the main stroke paths, creating a layered, dimensional look without adding contrast. Spacing appears straightforward and the overall construction stays clean and legible at display sizes.

Best suited to display typography where the inline detailing can be appreciated—posters, headlines, storefront-style signage, packaging, and logo wordmarks. It can also work for short pull quotes or labels when set with generous size and spacing.

The inline carving and chunky geometry give the face a lively, retro sign-painting energy with a friendly, slightly whimsical tone. It feels confident and attention-grabbing, leaning toward fun and informal rather than corporate or editorial.

The design appears intended to deliver maximum visual impact through chunky, rounded forms while using an internal cut to add character and a sense of depth. The goal seems to be a readable, upbeat display face that references vintage sign and poster lettering while staying clean and consistent in modern layouts.

The inline treatment is prominent enough to remain a key identifying feature in headlines, but it may start to fill in visually at small sizes or on low-resolution output. The rounded joins and simplified shapes keep the texture even across mixed-case settings and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸