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Free for Commercial Use

Sans Faceted Afra 6 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Evolutics' by Ghozai Studio, 'Ingomar JNL' by Jeff Levine, and 'Hype vol 2' by Positype (names referenced only for comparison).

Keywords: headlines, posters, sports branding, signage, apparel, industrial, athletic, authoritative, tough, retro, impact, space saving, ruggedness, utility, faceted, octagonal, condensed, blocky, geometric.


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A condensed, heavy sans built from straight strokes and clipped corners, replacing curves with angled facets. Counters are compact and largely rectangular, and terminals tend to finish in crisp, chamfered cuts that create an octagonal rhythm across rounds like C, O, and G. Stroke weight stays consistent with minimal modulation, and the overall texture is dense and vertical, with tight interior space and a strong emphasis on straight-sided forms. The lowercase follows the same engineered geometry, keeping bowls and joints angular and compact for a cohesive, sign-like pattern in text.

Best suited to display roles where a compact, forceful voice is needed: headlines, posters, sports and team marks, packaging accents, and bold signage. It can also work for apparel graphics or labels where the faceted, blocky texture supports a rugged, utilitarian theme.

The face communicates toughness and directness, with an industrial, no-nonsense tone. Its faceted construction and tight proportions evoke utility lettering and athletic or equipment aesthetics, lending a disciplined, punchy presence to headlines.

The design appears intended to deliver maximum impact in limited horizontal space while maintaining a rigid, engineered character. By translating curves into planar cuts and keeping strokes uniform, it aims for strong legibility at display sizes with a distinctive, industrial edge.

The angular treatment of normally curved letters gives the font a distinctly machined feel, especially in the rounded capitals and numerals. The high density and narrow set heighten impact at larger sizes, while the tight counters can make long passages feel heavy.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸