Sans Other Memem 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Stallman Round' by Par Défaut, 'Amboy' by Parkinson, and 'Acorna' and 'Caviara' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, retro, stencil-like, chunky, playful, industrial, high impact, distinctive texture, stencil cue, retro display, rounded corners, ink-trap feel, cut-in counters, blocky, compact.
A heavy, block-constructed sans with broadly rounded outer corners and abrupt, squared-off terminals. Many glyphs show distinctive cut-in notches and enclosed counters that read like stencil breaks or ink-trap-style bite-outs, creating a strong internal rhythm. Curves are simplified into chunky arcs, joins are blunt, and the overall geometry favors compact, rectangular forms with occasional flared inner openings. Spacing and silhouettes stay consistent across the set, producing a dense, poster-forward texture in text.
Best suited to display settings such as posters, bold branding marks, packaging fronts, and short headlines where the sculpted counters and notched details can be appreciated. It can also work for signage or labels that benefit from a sturdy, high-impact texture, especially at medium-to-large sizes.
The tone is bold and characterful, mixing a retro display vibe with an industrial, sign-painting/stencil flavor. Its chunky forms and carved-out interiors feel energetic and slightly mischievous, giving headlines a playful toughness rather than a neutral voice.
The design appears intended to deliver maximum impact with a distinctive, carved-in interior language that separates it from standard grotesks. The repeated notch and counter treatment suggests a deliberate nod to stencil or cut-letter aesthetics while keeping a rounded, friendly outer silhouette for contemporary display use.
The sample text shows strong word shapes at larger sizes, where the internal cut-ins become a defining feature. At smaller sizes those notch details may visually merge, so the design reads best when the shapes have room to breathe. Numerals match the same squared, rounded-corner construction for cohesive titling.