Sans Superellipse Jibok 12 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Nue Archimoto' by Owl king project (names referenced only for comparison).
Keywords: headlines, posters, logotypes, game ui, packaging, techno, retro, arcade, industrial, futuristic, impact, digital feel, geometric uniformity, modular system, squared, rounded, blocky, compact, modular.
A heavy, squared-off sans with rounded-rectangle construction and generous corner radii. Strokes stay uniform and dense, with tight counters and a compact, engineered rhythm that reads as modular rather than calligraphic. Curves are largely “squircle” turns, diagonals are minimal, and terminals tend to be flat and blunt, giving the letterforms a sturdy, geometric presence. The figures and capitals feel particularly rectilinear, while lowercase forms keep the same blocky logic with simplified joins and openings.
Best suited to display settings where impact and a techno-graphic voice are desirable: headlines, posters, branding marks, product packaging, and interface titling for games or digital dashboards. It performs especially well at medium to large sizes where the squared counters and rounded corners remain clearly defined.
The overall tone is assertive and machine-made, evoking retro computing, arcade interfaces, and sci‑fi control panels. Its chunky silhouettes and softened corners create a friendly kind of toughness—functional, game-like, and distinctly digital.
The font appears intended to deliver a bold, geometric, screen-inspired aesthetic with simplified, modular shapes and consistent rounding for a cohesive, contemporary-retro look. It prioritizes strong silhouette and visual punch over delicate detail, aiming for immediate recognition in branding and UI-like typography.
The design relies on consistent corner rounding and closed, rectangular counters, producing strong texture in lines of text. Spacing appears intentionally compact, emphasizing a solid typographic “wall” effect at display sizes.