Sans Superellipse Osbaw 5 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Brinova' by Digitype Studio, 'Mozer' by Fontfabric, 'Nasional Sans' by Jetsmax Studio, 'Great Escape' by Typodermic, and 'Probeta' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, authoritative, modern, utilitarian, compact, space saving, impact, clarity, modernization, uniformity, condensed, blocky, rounded corners, high impact, uniform stroke.
A compact, heavy sans with squared, superellipse-like curves and subtly rounded corners. Strokes are thick and even, with minimal contrast and largely closed apertures that keep counters tight and dark. Curved letters (C, G, O, S) feel built from rounded rectangles rather than pure circles, while straight-sided forms (E, F, H, N) emphasize a strong vertical rhythm. Terminals are mostly flat and clean, and the overall spacing reads dense and efficient, producing a solid, poster-ready texture.
Best suited for headlines, short copy, and display settings where compact width and strong weight are advantages. It works well in posters, packaging, labels, and wayfinding-style signage where a dense, high-impact texture is desirable. For longer paragraphs, the tight apertures and heavy color are more likely to feel intense than relaxed.
The tone is direct and workmanlike, with a sturdy, no-nonsense voice that feels contemporary and slightly industrial. Its condensed heft suggests urgency and confidence, making messages read as assertive and attention-forward rather than delicate or expressive.
The font appears designed to deliver maximum impact in limited horizontal space while keeping forms clean and contemporary. Its superellipse geometry and uniform strokes prioritize consistency, robustness, and a controlled graphic presence across letters and numerals.
The design leans on tall verticals and tightened counters, which increases perceived darkness in text blocks. Numerals share the same squared-rounded construction, helping mixed alphanumeric strings look uniform and controlled. The lowercase maintains a simple, compact build that favors clarity at larger sizes over airy readability.