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Free for Commercial Use

Sans Superellipse Lija 6 is a bold, wide, monoline, upright, normal x-height font.

Keywords: headlines, logos, posters, ui, packaging, futuristic, tech, sci‑fi, industrial, retro, tech branding, display impact, geometric system, rounded, squared, geometric, modular, boxy.


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A geometric sans built from rounded-rectangle geometry, with squared counters, softened corners, and an even, monoline stroke. Curves are minimized in favor of superelliptic bowls and straight runs, creating a modular, engineered texture. The overall stance is stable and fairly wide, with open apertures and simplified joins; diagonals appear sparingly and are handled with the same rounded terminals. Uppercase forms read compact and architectural, while lowercase keeps a single-storey approach and short, utilitarian extenders that maintain a consistent, gridlike rhythm.

Best suited to headlines, logotypes, and short statements where its modular geometry can read as a deliberate style choice. It also fits interface theming, gaming/tech branding, and packaging or signage that benefits from a clean, high-contrast silhouette. For extended text, it will work more comfortably with generous size and spacing.

The font projects a distinctly technological, sci‑fi tone—clean, synthetic, and systemlike. Its rounded-square construction adds a friendly softness to an otherwise industrial voice, suggesting interfaces, devices, and speculative branding rather than humanist warmth.

The design appears intended to translate a rounded-square, grid-based concept into a coherent alphabet that feels modern and machine-made. By keeping strokes uniform and corners consistently softened, it aims for a distinctive techno identity that remains approachable and highly repeatable across letters and figures.

Numerals and many letters share a consistent rounded-corner rectangle motif, producing strong visual uniformity at display sizes. The squarish counters and tight interior shapes give it a distinctive, emblematic look, though the dense geometry can make long passages feel heavy compared with more open grotesques.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸