Sans Other Obha 12 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fat Albert BT' by Bitstream, 'Stallman' and 'Stallman Round' by Par Défaut, and 'Grendo' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, game ui, industrial, retro, arcade, tough, utilitarian, maximum impact, industrial tone, retro tech, compact display, systematic geometry, blocky, angular, chamfered, stencil-like, compact.
A heavy, geometric sans built from squared forms with angled chamfers and notch-like cut-ins. Strokes are consistently thick with minimal modulation, and corners tend to be clipped rather than rounded, creating a faceted, machined feel. Counters are mostly rectangular and tight, and several letters use distinctive internal notches and stepped joins that emphasize a constructed, almost modular rhythm. The overall texture is dense and high-impact, with compact openings and strong, straight-sided silhouettes across both uppercase and lowercase.
Best suited to display applications where impact and presence are needed, such as headlines, posters, packaging callouts, and logo/wordmark work. It can also fit game UI, scoreboard-style graphics, and industrial-themed layouts, especially when used at larger sizes where the tight counters and angular detailing remain clear.
The tone reads bold and mechanical, with a retro-digital edge reminiscent of arcade titles, industrial labeling, and rugged sports branding. Its sharp cuts and block geometry convey toughness and efficiency rather than friendliness or elegance.
The design appears intended to deliver a strong, compact display voice using a consistent system of square geometry, chamfered corners, and notched construction details. The goal seems to be immediate recognition and a bold, engineered aesthetic that holds together in large, attention-grabbing settings.
Distinctive chamfers and inset notches create a quasi-stencil impression without fully breaking strokes, which helps maintain solidity at display sizes. Numerals follow the same squared, cut-corner logic, keeping the set visually unified and punchy.