Sans Other Obhu 5 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Area51' by Comicraft, 'Barion' by Drizy Font, and 'Jetlab' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, game ui, branding, logos, techno, arcade, industrial, futuristic, retro, impact, sci-fi feel, digital aesthetic, industrial tone, blocky, angular, modular, stencil-like, squared.
A block-built display sans with heavy, monoline strokes and strongly squared geometry. Forms are constructed from straight segments with frequent 45° corner chamfers, producing a cut, mechanical silhouette. Counters are narrow and rectangular, and spacing reads tight and compact, especially in all-caps settings. Lowercase echoes the uppercase structure with simplified, rigid bowls and minimal curvature, emphasizing a modular, pixel-adjacent rhythm across the alphabet and figures.
Best suited to large sizes where its angular details and compact counters remain clear—headlines, posters, gaming or streaming graphics, interface titles, and bold brand marks. It can also work for short labels or badges, but long paragraphs may feel dense due to its tight interior space and heavy color.
The overall tone feels digital and engineered—evoking arcade cabinets, sci‑fi interfaces, and industrial labeling. Its crisp angles and dense texture convey strength and urgency, with a distinctly retro-tech attitude rather than a soft or humanist voice.
This design appears intended to deliver a strong, machine-cut display voice built from modular straight strokes. The consistent chamfered corners and squared counters suggest a deliberate nod to digital/industrial aesthetics while maintaining a cohesive alphabet for high-impact typography.
Distinctive notches and clipped terminals create a subtle stencil/engraved effect in places, while the squared apertures and short joins help maintain a uniform, grid-like cadence. The numerals match the same architectural language, reading as utilitarian and signage-forward.