Sans Superellipse Raber 1 is a regular weight, narrow, low contrast, upright, tall x-height font visually similar to 'Sharp Grotesk Latin', 'Sharp Grotesk Paneuropean', and 'Sharp Grotesk Thai' by Monotype (names referenced only for comparison).
Keywords: ui text, wayfinding, editorial, data display, packaging, modern, clean, technical, neutral, efficient, compact readability, system utility, modern neutrality, information density, condensed, monoline, rounded, rectilinear, open apertures.
A condensed, monoline sans with a crisp, rectilinear skeleton softened by rounded corners. Curves tend toward squared-off bowls and superelliptic rounds, giving letters like C, O, and G a controlled, almost geometric feel rather than purely circular forms. Strokes maintain an even thickness with minimal modulation, and terminals are clean and straightforward, supporting a steady, utilitarian rhythm. The overall proportions are vertically oriented with compact sidebearings, and the lowercase shows clear, open shapes that keep counters and joins from clogging in text.
This font suits interface typography and product environments where compact width and consistent texture help fit more information without visual noise. It also works well for signage and wayfinding, captions and sidebars in editorial layouts, and data-forward settings like tables, labels, and dashboards where stable letterforms and clear counters support quick scanning.
The tone is modern and matter-of-fact, with a slightly technical, engineered flavor coming from its squared curves and disciplined spacing. It reads as neutral and efficient rather than expressive, projecting clarity and restraint.
The design appears intended to deliver a compact, contemporary sans optimized for clarity and consistency, using squared-rounded geometry to feel modern while staying highly legible in continuous reading. Its disciplined stroke behavior and restrained detailing suggest a focus on practical, system-friendly typography rather than decorative personality.
Digit shapes follow the same squared-rounded logic, with simple, legible construction and consistent stroke endings. Uppercase forms feel streamlined and signage-friendly, while the lowercase maintains a pragmatic, text-capable color that stays even across longer lines.