Sans Contrasted Tiba 8 is a very bold, narrow, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, branding, logos, playful, quirky, retro, whimsical, friendly, display impact, friendly tone, handmade feel, retro flavor, rounded, bouncy, compact, hand-cut, lively.
A compact display sans with chunky, slightly tapered strokes and gently rounded corners that keep the heavy weight from feeling rigid. The letterforms show subtle irregularity and a hand-cut rhythm: stems can bow or lean slightly, and curves are asymmetrically shaped rather than purely geometric. Counters are relatively tight and rounded, with simplified joins and terminals that often finish in soft wedges or blunted ends. Overall spacing feels snug, emphasizing a bold, punchy silhouette that stays readable in short bursts.
Best suited for display settings where personality is the goal: posters, headlines, packaging, storefront-style graphics, and bold brand marks. It works well for playful editorial callouts and event materials where short phrases need high impact and a friendly tone. Use with generous size and breathing room to keep the dense counters from clogging.
The font projects a cheerful, offbeat personality—more cartoon and mid-century sign energy than corporate neutrality. Its deliberate unevenness and buoyant shapes create a casual, human tone that feels fun and approachable, with a hint of vintage novelty. The weight and tight counters add urgency and impact, making it feel energetic rather than refined.
The font appears intended as a characterful, high-impact display sans that balances strong presence with informal charm. Its slightly irregular construction suggests a deliberate handmade or sign-inspired aesthetic designed to feel lively and distinctive in large sizes.
The design maintains consistent heaviness while allowing noticeable per-letter idiosyncrasies, which helps it feel expressive in headings but less suited to long text. Round characters (like O/Q) appear especially soft and inflated, while diagonals and joints carry the most visible “cut-paper” quirks.