Sans Other Tubay 2 is a light, very narrow, low contrast, upright, normal x-height font.
Keywords: display, posters, packaging, headlines, labels, playful, handmade, quirky, friendly, casual, hand-lettered feel, added personality, casual display, human texture, sketchy, wiry, bouncy, informal, whimsical.
A wiry, monoline sans with noticeably irregular, hand-drawn stroke edges and a gently wobbly baseline rhythm. Forms are narrow and tall, with compact counters and simple, open apertures; curves feel slightly squashed and asymmetrical in a way that reads intentional rather than distorted. Terminals are mostly blunt with occasional softened corners, and several glyphs show uneven stroke joins that reinforce a drawn-with-a-pen texture. Spacing is relatively tight and the overall color on the page stays light and airy despite the condensed proportions.
Best suited for short display copy where its handmade irregularity can be appreciated—posters, packaging accents, stickers and labels, educational materials, and casual branding. It can also work for subheads or pull quotes in friendly layouts, especially at medium-to-large sizes where the narrow forms remain clear.
The font conveys an informal, playful tone—like quick marker lettering used for notes, labels, or kid-friendly materials. Its imperfect outlines and buoyant rhythm add personality and warmth, favoring charm over precision. The overall impression is approachable and slightly quirky, with a craft-like, human touch.
The design appears intended to mimic quick, hand-lettered sans titling with a consistent monoline tool and deliberately imperfect contours. It prioritizes personality, immediacy, and an approachable feel, offering a distinctive alternative to cleaner condensed sans choices in informal design contexts.
The condensed build and narrow internal space make the texture feel busy as size decreases, while larger sizes emphasize the lively wobble and hand-rendered character. Numerals follow the same narrow, simple construction and match the casual, drawn quality of the letters. Capital shapes stay straightforward and readable, while lowercase adds more character through varied proportions and soft, rounded joins.