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Free for Commercial Use

Stencil Esdu 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ciutadella', 'Geogrotesque Condensed Series', 'Geogrotesque Sharp', and 'Geogrotesque Stencil' by Emtype Foundry and 'Hype Vol 1' by Positype (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, industrial, utilitarian, authoritative, rugged, tactical, stencil aesthetic, high impact, industrial labeling, graphic display, rugged utility, blocky, condensed feel, all-caps friendly, modular, high-impact.


Free for commercial use
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A heavy, block-built sans with squared silhouettes, minimal curvature, and consistent stroke weight. The defining feature is its stencil construction: deliberate breaks and narrow bridges cut through counters and joins, producing crisp negative shapes and a modular, segmented rhythm. Terminals tend toward flat cuts, apertures are relatively tight, and the overall color is dense, giving words a compact, high-impact texture. Numerals and capitals maintain a unified, engineered geometry that reads clearly at display sizes.

Works best for posters, headlines, badges, and branding where a strong stencil voice is desirable. It also suits signage, packaging, and wayfinding-style graphics that benefit from an industrial, marked-on-surface aesthetic. Use generous tracking and ample size to keep the stencil bridges from filling in under challenging reproduction conditions.

The tone is industrial and utilitarian, with a no-nonsense presence reminiscent of labeling, equipment marking, and functional signage. Its stencil gaps add a tactical, mechanical edge that feels rugged and authoritative rather than friendly or decorative.

Likely designed to deliver a robust stencil look with clear, repeatable geometry—emphasizing durability, impact, and a manufactured feel. The consistent weight and assertive shapes suggest a focus on graphic presence and legibility in short, attention-grabbing text.

The stencil breaks are prominent enough to become part of the patterning of text, creating a distinctive stripe-like cadence across lines. In longer settings the bold massing and segmented forms favor concise headlines and short statements over extended reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸