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Free for Commercial Use

Stencil Esfu 8 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Leftfield' by Fenotype, 'MVB Diazo' by MVB, and 'Imagine Pro' by Salamahtype (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, industrial, authoritative, rugged, tactical, retro, stencil effect, industrial voice, compact impact, graphic texture, blocky, condensed, all-caps friendly, high-contrast negative, signage-like.


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A compact, heavy display face built from simple geometric forms and uniform stroke weight. The letterforms are condensed with squared shoulders and largely straight-sided construction, punctuated by consistent stencil breaks that cut through bowls and stems. Counters are tight and vertical stress is emphasized, giving the shapes a poster-like density. Numerals and capitals follow the same rigid, modular logic, creating a steady rhythm and strong silhouette at large sizes.

Works best for high-impact display applications such as posters, headlines, product packaging, labels, and wayfinding or warning-style signage. It’s effective for branding that wants an industrial or tactical flavor, and for short bursts of text where the stencil texture can be a featured graphic element.

The repeated stencil bridges and compressed black shapes convey an industrial, utilitarian tone—confident, no-nonsense, and slightly militaristic. Its look feels suited to equipment markings and bold headlines, with a retro signage edge that reads as rugged and functional rather than refined.

The design appears intended to deliver a bold, space-efficient stencil aesthetic with consistent, repeatable cuts that preserve character recognition while adding visual grit. Its goal is likely strong presence and quick identification in display contexts, echoing the practical language of painted stencils and marked hardware.

Stencil interruptions are applied systematically across the set, producing distinctive internal white seams that remain legible at display sizes. The condensed proportions and tight apertures can reduce clarity in smaller text, but they amplify impact and texture when scaled up or used with generous tracking.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸