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Outline Tyhe 5 is a light, normal width, low contrast, upright, normal x-height font.

Keywords: posters, headlines, signage, logotypes, packaging, art deco, vintage, elegant, theatrical, ornate, decorative display, vintage evocation, dimensional effect, signage style, inline, monoline, decorative, display, high contrast illusion.


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A decorative outline face built from clean outer contours with an internal inline that echoes the letterform, creating a hollow, double-line effect. Strokes read as monoline outlines with consistent spacing between the outer contour and the inner parallel line, giving each glyph a crisp, engraved feel. Proportions are fairly classical with open counters and rounded bowls, while terminals and joins stay smooth and controlled. Uppercase forms are tall and stately; lowercase is simpler and more textlike, with occasional flourish (notably in the looped descenders) while maintaining overall regular rhythm and even sidebearing behavior in running text.

Best suited to display settings such as posters, headlines, storefront signage, menu titles, and packaging where the outline-and-inline detailing can be appreciated. It can also work for short logotype-style wordmarks and section headers, especially where a vintage or Art Deco mood is desired.

The font conveys a refined, period display tone reminiscent of early-20th-century signage and entertainment typography. Its hollow, inlined construction feels glamorous and slightly theatrical, suggesting boutique luxury, cocktail culture, and heritage branding rather than utilitarian text use.

The design appears intended to deliver a distinctive outlined, inlined look that adds dimensionality without adding weight, evoking engraved or neon-tube styling while keeping letterforms orderly and readable. It prioritizes decorative impact and period character over long-form economy.

In sample text the outline structure remains legible at moderate sizes, but the inner inline and open counters become the primary texture, so very small settings may lose the intended double-line nuance. Numerals and capitals carry the strongest personality, with curves and verticals showcasing the inlined geometry most clearly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸