Sans Other Olhe 7 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Imagine Font' by Jens Isensee and 'KONSTRUCT' by Komet & Flicker (names referenced only for comparison).
Keywords: headlines, posters, logotypes, gaming ui, album art, techno, arcade, industrial, retro, digital feel, sci-fi ui, impact display, retro gaming, square, angular, blocky, stencil-like, geometric.
A squared, modular display sans built from straight strokes and right angles, with deeply notched corners and frequent cut-in counters that create a stencil-like, pixel-adjacent construction. Curves are largely avoided; bowls and rounds resolve as stepped or chamfered rectangles, producing a rigid, grid-driven rhythm. Counters tend to be rectangular and tight, and terminals are blunt, emphasizing a solid, engineered silhouette. Uppercase forms read as compact blocks, while lowercase keeps the same angular logic with simplified, monolithic shapes and minimal differentiation between similar letters.
Best suited for short, high-impact settings such as headlines, posters, logo wordmarks, game titles, and interface-style graphics where its angular construction can be appreciated. It also works well for packaging or signage that aims for a technical or retro-digital voice, but is less appropriate for long-form text due to its dense, cut-in counters.
The overall tone is distinctly digital and mechanical, evoking arcade graphics, sci‑fi interfaces, and industrial labeling. Its sharp geometry and carved openings add an aggressive, utilitarian edge while still feeling playful in a retro-tech way.
The font appears designed to capture a bold, grid-constructed techno aesthetic with a consistent right-angled system, prioritizing distinctive silhouette and theme over conventional text comfort. The repeated notches and rectangular counters suggest an intention to reference pixel/arcade forms while remaining clean and typographic rather than strictly bitmap.
The design relies heavily on interior cutouts to signal apertures (e.g., in E, a, e, 8), which gives strong character but can reduce clarity at smaller sizes. Round letters like O/Q are rendered as squarish frames, reinforcing the constructed, grid-based personality.