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Free for Commercial Use

Sans Other Onti 7 is a bold, wide, monoline, upright, normal x-height font visually similar to 'FF Eboy' by FontFont, 'Imagine Font' by Jens Isensee, and 'Kniga' by Umka Type (names referenced only for comparison).

Keywords: headlines, logotypes, posters, gaming ui, tech branding, techno, arcade, industrial, sci-fi, mechanical, futuristic display, geometric impact, digital styling, systematic construction, angular, square, blocky, chamfered, geometric.


Free for commercial use
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A heavy, geometric sans built from straight strokes and squared counters, with consistent stroke thickness and minimal curvature. Corners are frequently chamfered, giving diagonals and joins a cut, faceted feel rather than rounded terminals. Proportions are horizontally generous, and the construction favors right angles, rectangular bowls, and crisp notches, producing a compact, modular rhythm across capitals and lowercase. The numerals follow the same hard-edged logic, with boxy shapes and simplified internal spaces that keep the texture dense and uniform.

This face is well suited to headlines, branding marks, and display typography where a bold, technical voice is desired. It also fits game titles, sci‑fi packaging, interface labels, and signage-style graphics where sharp geometry and strong silhouettes help maintain impact.

The overall tone feels engineered and futuristic, evoking digital interfaces, arcade-era graphics, and utilitarian industrial labeling. Its strict geometry and sharp cuts communicate strength and precision more than warmth or elegance, with a distinctly synthetic, game/tech atmosphere.

The design appears intended to deliver a compact, high-impact geometric look with a deliberately digital, constructed feel. By prioritizing squared forms and chamfered corners over curves, it aims for a futuristic display voice that stays consistent across letters and numbers.

Because many glyphs rely on small rectangular counters and tight apertures, the style reads best when given room to breathe; at smaller sizes the interior details can visually fill in. The consistent, squared construction creates a strong pattern on the line, making it particularly attention-grabbing in short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸