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Free for Commercial Use

Sans Normal Udmev 5 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'City Boys Soft' by Dharma Type, 'Ragik Sans' by Hurufatfont, 'Optima Nova' by Linotype, 'Linex Sans' by Monotype, and 'MarkusLow' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, friendly, retro, playful, hearty, approachable, approachability, display impact, retro flavor, brand voice, rounded, soft corners, bulbous, bouncy, lively.


Free for commercial use
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A heavy, rounded display face with softly flared terminals and gently tapered strokes that create a subtle, ink-trap-like bite at some joins. Counters are generous and mostly circular/oval, giving the alphabet a buoyant, inflated feel. Curves dominate (notably in C, G, O, S), while straight strokes remain slightly softened and uneven in width, producing a handmade warmth rather than strict geometry. The lowercase shows simple, sturdy constructions with single-storey a and g, a compact t, and a curved-shoulder r; figures are broad and weighty with open, readable shapes.

Best suited to headlines and short text where its bold presence and rounded character can lead the layout—posters, packaging, storefront or wayfinding signage, and brand marks. It can also work for punchy subheads or pull quotes when ample size and spacing are available.

The overall tone is upbeat and approachable, with a nostalgic, mid-century poster energy. Its soft swelling forms and friendly rhythm feel casual and inviting, leaning more toward charm and personality than precision or austerity.

The design appears intended to deliver a strong, friendly voice with vintage-flavored warmth, balancing dense strokes with open counters for legibility in display settings. Its softened terminals and rounded structures emphasize approachability and character over strict neutrality.

The darkest areas concentrate at curves and outer shoulders, while inner corners and joins often open up, helping maintain clarity at large sizes. Letterforms have a slightly irregular, humanized tension—enough to feel distinctive without becoming novelty.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸