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Sans Normal Tybaz 6 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'Epoca Classic' by Hoftype, 'JT Douro Sans' by JAM Type Design, 'Chakai' by Latinotype, 'Skeena' by Microsoft Corporation, 'Globe SB' by Scangraphic Digital Type Collection, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, punchy, clean, impact, approachability, clarity, modernity, rounded, soft corners, compact counters, heavy weight, open apertures.


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A heavy, rounded sans with sturdy verticals and broad, smooth curves. Strokes are clearly modulated, giving bowls and shoulders a slightly sculpted, high-ink presence rather than a purely monoline feel. Counters run on the compact side, while apertures stay fairly open, keeping letters like C, S, and e readable at display sizes. Terminals are predominantly clean and squared-off with softened joins, producing a firm, contemporary texture with steady spacing and a consistent rhythm across caps, lowercase, and numerals.

Best suited to headlines and short blocks of copy where its weight and rounded forms can create strong visual impact. It works well for branding, packaging, and signage that needs a confident, approachable voice, and it can handle large-format editorial callouts or UI marketing banners where emphasis and legibility are priorities.

The overall tone feels assertive and contemporary, with a friendly softness from the rounded geometry. It reads as straightforward and no-nonsense, but not cold—more approachable and energetic than strictly technical. The weight and contrast give it a sense of emphasis and confidence suited to attention-getting messaging.

The design appears intended to deliver a bold, modern sans voice with softened geometry for approachability. Its combination of substantial weight, rounded forms, and clear letter silhouettes suggests a focus on high-impact communication while preserving readability in prominent, display-oriented contexts.

Uppercase forms are broad and stable, with generous horizontal presence in letters like E, F, and T. The lowercase shows simple, utilitarian construction (single-storey a, compact e) and sturdy stems, while the numerals appear designed for clarity in large settings, with strong silhouettes and minimal fussiness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸