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Free for Commercial Use

Sans Contrasted Otfa 3 is a very bold, very narrow, high contrast, upright, normal x-height font visually similar to 'Denso Sans High' by Monotype (names referenced only for comparison).

Keywords: posters, headlines, editorial display, packaging, signage, art deco, theatrical, vintage, authoritative, stylized, headline impact, space saving, period styling, poster display, brand voice, condensed, vertical stress, sharpened terminals, tall caps, ink-trap hints.


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A tightly condensed display face with towering proportions and pronounced vertical emphasis. Strokes alternate between hefty stems and razor-thin joins, creating a sharp, poster-like rhythm and clear vertical stress. Many letters show flattened, squared curves and abrupt transitions, with narrow counters and occasional triangular notches where thick strokes meet thin diagonals (especially in forms like K, V, W, X). The lowercase is compact with a fairly conventional structure but inherits the same compressed width and dramatic thick–thin behavior, and the figures follow the tall, condensed silhouette for strong numeric presence.

Best suited for display applications such as posters, magazine headlines, branding lockups, packaging titles, and signage where a tall, condensed footprint is useful. It performs especially well when you want a vintage, high-impact look and have room to set it at moderate to large sizes.

The overall tone feels dramatic and vintage, evoking show posters, Jazz Age/Art Deco signage, and headline typography meant to command attention. Its compressed stance and sharp contrast lend a confident, slightly theatrical voice that reads as stylish and assertive rather than neutral.

The design appears intended to deliver maximum visual impact in a narrow measure, combining strong vertical stems with hairline connectors to create a distinctive contrasted voice. Its stylized geometry and consistent condensed proportions suggest a focus on period-flavored display typography for attention-grabbing titles and short statements.

At larger sizes the crisp hairlines and tight internal spaces become key to the character, while in smaller settings those narrow counters and thin connections may require generous sizing and spacing to maintain clarity. The glyph set shown appears designed for impact with a consistent vertical cadence across caps, lowercase, and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸