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Free for Commercial Use

Sans Superellipse Ipfe 6 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'Local Radio JNL' by Jeff Levine, 'Blunt' by Miller Type Foundry, and 'Eurocine' and 'Loft' by Monotype (names referenced only for comparison).

Keywords: sports branding, headlines, posters, packaging, event promos, sporty, assertive, modern, energetic, techy, high impact, speed cue, brand presence, display clarity, modernization, oblique, extended, compressed counters, rounded corners, ink traps.


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A heavy, right-leaning sans with extended proportions and squared-off, superelliptical curves. Strokes are thick and steady with softened corners and frequent wedge-like terminals, giving many joins a slightly chamfered look. Counters are compact and often rectangular-oval, producing dense, high-impact word shapes; the lowercase maintains strong continuity with a tall x-height and short ascenders/descenders. Diagonals and angled cuts show up throughout (notably in S, Z, K, V/W), reinforcing the fast, slanted rhythm, while numerals follow the same blocky, streamlined construction.

Best suited to display settings where impact and motion matter: sports and esports identities, team apparel, posters, promo graphics, and bold packaging or product marks. It can work for short UI labels or navigation when set large enough, but extended reading in dense blocks will appear very heavy and compact.

The overall tone is loud and forward-driving, with a sense of speed and pressure that reads as competitive and contemporary. Its compact counters and aggressive slant project urgency and confidence, landing somewhere between athletic branding and industrial-tech styling.

The design appears intended to deliver maximum punch with a streamlined, speed-oriented silhouette—combining rounded-rectangle forms with sharp, angled terminals to suggest motion and strength while maintaining a cohesive, modern sans structure.

The design relies on angled cuts and rounded-rectangle geometry rather than delicate modulation, so texture stays dark and continuous in paragraphs. At smaller sizes the tight apertures and enclosed counters may fill in visually, while at display sizes the crisp angles and rounded corners become a defining character feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸