Sans Superellipse Ipry 11 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Eurocine' by Monotype and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: sports branding, headlines, posters, packaging, logotypes, sporty, aggressive, energetic, retro, loud, impact, speed, branding, display, ruggedness, slanted, blocky, rounded corners, ink traps, tight apertures.
A heavy, right-slanted sans with compact, blocky silhouettes and rounded-rectangle construction. Strokes are dense and mostly uniform, with subtle contrast created by angled terminals and cut-in notches rather than true stroke modulation. Counters tend to be small and partially closed, and many joins show purposeful corner carving that reads like modern ink-trap styling. The overall rhythm is punchy and forward-leaning, with sturdy widths and a consistent, engineered geometry across caps, lowercase, and numerals.
Best suited to display sizes where its carved corners and tight counters can read as intentional detail. It works well for sports and motorsport identity, impactful headlines, event posters, and bold packaging or label systems. For longer passages, it’s likely most effective in short bursts—taglines, calls to action, and large typographic statements.
The font projects speed and impact, with a loud, competitive tone reminiscent of racing and athletic branding. Its slant and sharp cut-ins add urgency, while the rounded construction keeps it from feeling brittle. The result is assertive and attention-grabbing, suited to messaging that wants to feel fast, strong, and modern-retro.
The design appears intended to deliver maximum visual impact through a forward-leaning stance, dense color, and engineered cut-ins that enhance clarity and character at large sizes. Its rounded-rectangle skeleton suggests a desire for modern geometric consistency, while the aggressive notches and angled terminals add speed and attitude.
Uppercase forms appear especially compact and muscular, while the lowercase maintains a similar mass with simplified bowls and tight apertures. Numerals follow the same wedge-and-notch logic, keeping a cohesive texture in mixed alphanumeric settings. Spacing in the sample feels designed for bold display impact rather than airy readability.