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Sans Superellipse Ukrem 2 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Bilokos' by AukimVisuel, 'Stallman Round' by Par Défaut, 'Jetlab' by Swell Type, 'Eternal Ego' by Taznix Creative, and 'Robson' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, retro, poster, assertive, mechanical, space saving, impact, retro display, condensed, blocky, rounded corners, squared curves, high contrast counters.


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A condensed, all-caps-forward display sans built from squared-off curves and rounded-rectangle geometry. Strokes are consistently heavy, with compact sidebearings and tight interior spaces that create strong vertical rhythm. Curved letters (like C, O, S) read as softened rectangles rather than circles, while joins and terminals stay blunt and engineered. Counters tend to be small and tall, with occasional slit-like openings that emphasize the font’s compressed, punchy texture.

Best suited for short, high-impact settings such as posters, headlines, logotypes, packaging fronts, and bold signage. It also works well for labels, badges, and display numerals where a condensed, space-saving width is helpful. For long-form reading, it’s likely most effective in larger sizes with generous line spacing.

The overall tone is forceful and utilitarian, with a distinctly retro-industrial flavor. Its narrow, blocky silhouettes feel mechanical and sign-like, giving headlines an authoritative, no-nonsense voice. The squared curves add a stylized, constructed character that reads as bold and deliberate rather than neutral.

The font appears designed to deliver maximum visual punch in minimal horizontal space, using rounded-rectangle forms to create a distinctive, engineered identity. Its consistent heavy strokes and compact counters suggest an emphasis on bold display communication rather than subtle text typography.

The design favors tall verticals and tight apertures, which heightens impact but can reduce clarity at small sizes or in dense paragraphs. Numerals match the same condensed, heavy construction, supporting strong alignment in labels and short data callouts. Mixed-case text keeps a consistent footprint, with lowercase forms echoing the same squared, compact build.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸