Sans Superellipse Ukrem 1 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Stallman Round' by Par Défaut, 'Lekra SS' by Sensatype Studio, and 'Goodland' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, logos, signage, packaging, industrial, retro, authoritative, mechanical, compact, impact, space saving, signage feel, geometric consistency, blocky, squared, rounded corners, condensed, high contrast (mass).
This typeface is built from compact, rounded-rectangle structures with generous corner radii and largely uniform stroke weight. Counters and apertures tend to be small and geometric, with many forms relying on straight stems, flat terminals, and squared shoulders that create a tight, vertical rhythm. The proportions are condensed, emphasizing height over width, while overall spacing appears sturdy and consistent, favoring dense word shapes. Numerals and capitals follow the same blocky logic, with simplified interiors and minimal curvature beyond the softened corners.
It performs best in short, high-impact settings such as headlines, posters, brand marks, and bold labeling where compact width and strong presence are advantages. It can also work for signage and wayfinding-style applications when set with ample size and spacing to preserve legibility.
The overall tone feels industrial and mechanical, with a retro display sensibility reminiscent of stenciled or machined signage. Its heavy, compact silhouettes project authority and impact, reading as assertive and utilitarian rather than delicate or expressive.
The design appears intended to deliver maximum visual weight in a tight footprint, using rounded-rect geometry to create a consistent, engineered look. Its simplified construction and dense texture suggest a focus on display readability and a distinctive, industrial voice.
The font’s small counters and tight internal spaces increase visual density, which amplifies punch at larger sizes but can reduce clarity in long passages or small settings. The rounded corners soften the otherwise rigid geometry, keeping the forms from feeling overly sharp or brittle.