Sans Superellipse Ugmet 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Amfibia' and 'Karibu' by ROHH; 'Amsi Pro', 'Amsi Pro AKS', and 'Sans Beam' by Stawix; and 'Tolyer' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logo marks, sporty, punchy, friendly, retro, impact, motion, approachability, display clarity, rounded, slanted, compact, blunt, soft-cornered.
A heavy, slanted sans with superelliptical geometry and generously rounded corners. Strokes are monolinear and dense, with broad curves, flattened terminals, and compact inner counters that stay open at display sizes. The overall rhythm is bouncy and slightly condensed in feel, with a forward lean and subtly varied letter widths that keep the texture lively. Numerals and capitals share the same blocky, soft-cornered construction, emphasizing sturdy silhouettes over fine detail.
Best suited for short, high-impact copy such as headlines, posters, sports and event branding, packaging callouts, and bold logo wordmarks. It also works well for punchy UI labels or signage where a friendly, attention-grabbing slanted style is desired, while extended body text may feel heavy and tight due to dense counters.
The tone is energetic and approachable—bold enough to feel assertive, but softened by rounded forms that read friendly rather than aggressive. Its forward slant adds motion and urgency, giving it a sporty, promotional voice with a touch of retro sign and packaging character.
The design appears intended to deliver maximum visual impact with a warm, rounded industrial feel: a sturdy, display-first sans that reads quickly, feels in motion, and maintains consistent weight and softness across letters and numerals.
Diagonal strokes and joins (notably in letters like K, R, and V/W shapes) are simplified and chunky, reinforcing a strong, poster-ready silhouette. The lowercase uses single-storey forms where expected (a, g), and the overall set favors legibility through large shapes and clear differentiation rather than delicate internal detail.