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Free for Commercial Use

Sans Superellipse Gegad 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Angela Love Sans' by Fargun Studio, 'Nestor' by Fincker Font Cuisine, 'FS Industrie' by Fontsmith, 'Posterman' by Mans Greback, 'DIN Next' by Monotype, and 'Folio' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, industrial, loud, confident, impact, condensation, momentum, modernization, branding, condensed, oblique, blocky, rounded corners, compact.


Free for commercial use
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A compact, oblique sans with heavy, uniform stroke weight and squared-off, softly rounded corners. The forms feel built from rounded rectangles rather than pure circles, creating sturdy counters and tight apertures. Curves are controlled and mechanical, with terminals that look cleanly cut and slightly softened. Proportions are condensed with strong vertical emphasis, while the slant adds forward motion and keeps letterfit energetic.

Best suited to headlines, posters, and bold editorial callouts where speed and impact are priorities. It works well for sports and event branding, product packaging, and directional or promotional signage that needs a compact footprint with strong presence. Use generous tracking or larger sizes when clarity is critical in dense lines.

The overall tone is forceful and high-impact, with a fast, assertive feel suited to attention-grabbing messaging. Its condensed, angled stance reads as athletic and utilitarian, evoking signage, machinery, and performance branding. The rounded corners temper the aggression just enough to feel contemporary rather than harsh.

The design appears intended to deliver maximum visual punch in limited horizontal space, pairing a forward-leaning stance with sturdy, rounded-rectangular construction. It prioritizes strong silhouette recognition and a cohesive, industrial rhythm for contemporary display typography.

The numerals and capitals share the same robust, engineered rhythm, and the lowercase maintains clear, compact silhouettes for setting short lines at large sizes. Some characters show tight joins and enclosed spaces that reinforce the dense, punchy texture typical of display-focused condensed italics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸